The chord most closely associated with this scale is Bm7b5 . Use the D half-whole diminished scale (aka dominant diminished scale) on D7#9 and the Eb half-whole diminished scale on Eb7#9. The scale is also identical to the seventh mode of the Melodic Minor (e.g. F major in the key of C), but the Lydian mode can also work well over a I chord. Altered scales are used predominantly by jazz musicians to produce interesting tensions while improvising over dominant seventh chords. This melodic minor scale is based on the natural minor scale with the same key / tonic note - Eb natural minor scale. It is also enharmonically the seventh mode of the ascending melodic minor scale. The altered scale is actually the 7th mode of melodic minor. Altered scales are often used over altered seventh chords, e.g. Eb Altered bb7 Uke scale (H,W,H,W,W,H,WH) on the soprano. Altered scales Altered scales include one or more notes that is lowered or raised compared to its main variation. 1. Altered Scale in All Keys The altered scale features 3 of the 4 chord tones of a dominant 7th chord (1, 3, and b7) plus all the extensions of the chord altered. Formula: 1-2-3-#4-5-6-7-8 (Fmaj7 or Cmaj7#11) The Lydian Mode works well over any maj7#4, maj7b5, or maj7#11 chord. For this reason, the altered scale is sometimes called the super-Locrian scale or the Locrian flat four scale (Service 1993, 28). The scale is also identical to the seventh mode of the Melodic Minor (e.g. A C Altered Dominant scale also has an E, not an Fb. The altered scale features 3 of the 4 chord tones of a dominant 7th chord (1, 3, and b7) plus all the extensions of the chord altered. VI. JGuitar's scale calculator will draw scale diagrams showing the fretboard with notes in the Ab. G Altered = G-Ab-Bb-B-Db-Eb-F-G . Find guitar scales using graphic interface. Now that you know which Altered Scale to use over which chord, let’s check out the Etude. See the diagram: PDF: 7th Modes Ab Major and Mel Minor. Fb. Backing Track Listen & Play Along Coming from the Ab Melodic Minor scale, the G Altered Scale is G-Ab-Bb-B-Db-Eb-F. Notice that it has the B natural, which works nicely on the V chord (G7) but also has an Ab (b9), Db (b5) and Eb/D# (#5). View this scale in: G-Tuning (DGBE) D-Tuning (ADF#B) Slack-key Tuning (gCEG) The altered scale is actually the seventh mode of the melodic minor scale, also called Super Locrian mode. We don’t improvise scales; we improvise melodies! On the first note: half-diminished seventh chord (minor seventh chord with a flat fifth, e.g. This is written below in musical notation with the essential chord tones coloured black and the non-essential altered chord tones coloured red. These are: So they want to add Db>C, D#>E, Ab>G, as well as Bb>A and Eb>D, because the 6th and 9th are good consonant extensions on I. It's a Locrian Mode with a flat 4 - but the second Eqn above makes sense of it, it's the notes available in an altered dominant chord, laid out in a scale. Bb. Now go practice. View this scale in: G-Tuning (DGBE) D-Tuning (ADF#B) Slack-key Tuning (gCEG) The altered scale is actually the seventh mode of the melodic minor scale, also called Super Locrian mode. So the scale starts off as a diminshed scale and ends up as a whole tone scale, hence the name. (1, b9, #9, 3, #11, b13, b7, 8) (you can also have the 5th, although it’s a “secret” hidden note that isn’t generally played in the scale) H W H W W W W. The Altered Scale is … G Altered is identical to the 7th mode of Ab Melodic). Eb Altered bb7 Uke scale (H,W,H,W,W,H,WH) on the soprano. The following are seventh chords built on the notes of the altered scale. When you have a C7 chord, try playing these two triads over them. Super Locrian is sometimes just called Altered Scale (but it is not a great name since there are more altered scales), while five of seven notes have been altered in comparison to the normal notes in the major keys. This scale is also known as: The 7th mode of the C Melodic Minor Scale. C# Altered. See diagrams at Standard Guitar. F, Gb, G#, A, B, C# Eb, F Nomenclature-wise, I prefer this spelling due to lowered/raised ninths, raised eleventh, and the raised fifth (as opposed to a lowered thirteenth [Db]) encountered in the F alt 7 chord. To be clear, scales are good for note choices to help make melodies, but we aren’t just playing scales when we improvise! So, on G7, you would play Ab melodic minor starting on G, and voila, you’re playing G altered. Altered pentatonic: B Eb F G Bb B. A altered Eb F G ... Gb Ab Bbb=A F altered Cb=B Db Eb F 2. How does this help? The Superlocrian Scale. Try playing example 1 to establish the C major context in your ear. We have one straight minor pentatonic scale: Bbm – Bb Db Eb F Ab Bb. Standard Tuning (gCEA). It gives a jazzy dissonant sound to dominant chords. The E-flat melodic minor scale has 4 flats. Show me chords that sound good with an Eb Altered scale. The Altered Scale (also known as the Super Locrian, Diminished Whole-Tone, and Dim-Whit scale!) The altered scale is the 7th mode of the melodic minor scale, which means that it is like playing Ab melodic minor starting from the note G. The altered scale is used to solo over dominant 7th chords, both in major and minor keys. Then the theorist comes along and says "OK let's call all those notes the altered scale". For example, "C7alt" supplants "C7♯5♭9♯9♯11", "C7−5+5−9+9", "Caug7−9+9+11", etc. It’s the 7th mode of melodic minor, just as Locrian is the 7th mode of the major scale. I play most of the melody with single notes, except for a few passages where chordsare added. This means that it comprises the three irreducibly essential tones that define a dominant seventh chord, which are root, major third, and minor seventh and that all other chord tones have been altered. How to Play the Eb (E-Flat) Altered Dominant Scale on Guitar. b5. Important: The fretboard is shown with the lowest pitch string at the bottom and the Now that we know the notes of the E flat minor scale (natural), we now take a look at the E flat harmonic minor scale. Standard Tuning (gCEA). The most obvious example is as IV chord (e.g. This scale has existed for a long time as the 7th mode of melodic minor. It has an anomaly - it has both a major and a minor third. Adim = A, C, Eb). It’s basically any melodic minor scale played from the 7th tone to the 7th tone (… in other words, instead of starting and ending on the first tone of the scale like you’d normally do, you start and end on the 7th tone of the SAME scale. SYNTHETIC Scales: Scale Name: Spelling: Major Scale Reference: C Whole Tone C,D,E,F#,G#,Bb = 1,2,3,#11,#5,b7 C Diminished C,D,Eb,F,Gb,Ab,Bbb,B = 1,2,b3,4,b5,b6,bb7,7 This means it lacks a major ninth, a perfect eleventh, a perfect fifth, and a major thirteenth. Altered pentatonic: B Eb F G Bb B. The chord most closely associated with this scale is Bm7b5 . Eb. The lines When you make lines over a D7 altered there are two triads that can work really well (there are more of course, but for this lesson I am mostly using these two): Altered scales include one or more notes that is lowered or raised compared to its main variation. The Solution below shows the Bb blues scale, on the piano, treble clef and bass clef.. Harmonic Minor; Phrygian Dominant; Dorian (alternate) Mixolydian (alternate) Chord Progressions. Hence why it’s called the altered scale. C. Equation. What’s the fingering for this scale? It's called an Altered Dominant scale because it's a Dominant scale that includes the altered versions of all of the non-essential tones of a dominant chord. 1. b2. Major Diatonic Chords; Major Parallel Modes; Major II – V – I ; Minor II – V – I; Circle Of Fifths; Melodic Minor Modes. Take a C altered scale - C, Db, Eb, E, F#, Ab, Bb. It’s called the ‘altered’ scale because every extended harmony note that can be altered (9, 11, 13) has been altered (b9, #9, #11, b13): C Altered. Don't know what a scale is? 4. The altered scale is made by the sequence: The abbreviation "alt" (for "altered") used in chord symbols enhances readability by reducing the number of characters otherwise needed to define the chord and avoids the confusion of multiple equivalent complex names. This tells us that it is a part of the Ab melodic minor/ G Altered scale and we can also see that it is a good fit for the G7 with an F and a B in there. There are seven ways to alter a basic major pentatonic scale. Notes, Intervals and relations to other scales in the database. G Altered is identical to the 7th mode of Ab Melodic). It works great over an altered chord (7#9b13, or 7alt), which implies 7(b9#9#11b13). I call this a shortcut for a reason. the altered scale … playing jazz using things about music you already know … jazz clinician mr. christopher burnett conn-selmer artist + clinician www.burnettpublishing.com. Learning The Altered Dom7th Pentatonic Scale. E Flat Harmonic Minor Scale. you’ve probably played some and I’m certain you’ve heard of them.. but what exactly are we talking about here? This tells us that it is a part of the Ab melodic minor/ G Altered scale and we can also see that it is a good fit for the G7 with an F and a B in there. But in the end it is of course just a set of notes like any other scale and no more difficult than the rest of them. 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