Apr 25, 2012 - All videos of the J. S. Bach Foundation. Countertenor Tim Mead takes centre stage in this glorious reading of the first movement of Bach's cantata 'Vergnügte Ruh, beliebte Seelenlust'. Some recordings use soloists while others employ full sections of the voices; I find two voices appropriate. The Netherlands Bach Society has a male-female duet. Bach's almost 200 extant cantatas are among his important vocal compositions.. This is my favorite chorus to a cantata, so I'm biased when I say it's one of his best examples. The movements of Bach where all are dark, yet we see the first hint of light is always consoling (as we heard in cantata 21). All three of these cantatas are what we call 'chorale cantatas' as the opening chorus contains a cantus firmus around which the movement is based. Here is a pair of humorous offerings performed with great charisma by the husband-wife duo of Dietrich Fischer-Dieskau and Julia Varady. Very often, Bach concludes his chorale cantatas with a simple, straightforward, homophonic setting of the chorale. the only movement for alto in this cantata is a recitative who is accompanied only by continuo. Good morning once again. This way, the congregation can join in the singing as his composition concludes. This melody is another known to Bach for having used in the St. Matthew Passion quite frequently. Guestbook . 25 talking about this. This is prominent in the aria for tenor, which could be seen as a trio; the violin and bassoon parts are quite fun! High-quality recordings of the works by Johann Sebastian Bach are made freely available for everyone. While short, this aria is wonderful to listen to. They were recorded live in different churches during the 250th anniversary of Bachâs death, in 2000. The short, yet harmonized final chorale calls back for full choir and ensemble. The Amsterdam Baroque Orchestra Choir / Ton Koopman The biggest drawback of Kopman's set is that is really expensive, it hurt my credit card severely but after listening to some cantatas in youtube I decided to purchase it, a year ago and I don't regret it. Bach - Cantata No. The recitative is simple while his aria is soothing as a pair of oboes dance around the whole time. Vocal Warm-Ups . Bach's cantatas and his other vocal works and many of his instrumental works. In approx. Return to the Bach Cantata Project Index . Home . I was always curious as to the harmonic differences we hear in this movement versus the chorale on the same title, BWV 639. Supported in part by grants from the National Endowment for the Humanities and the J. Reilly Lewis Legacy Fund, Bach Interactions is a new digital concert experience offering the expressive heights of Bach’s musical language as well as the story behind its creation. Nine virtual programs offer some of the finest works in the cantata and oratorio repertory. The simple tenor recitative sounds rather damning, yet the following aria features a traverse flute while the continuo is staccato. This occurs in other instances, like cantata 3, for example. And yet, given the highly-crafted art music of the Second Suite dances, the tightly structured figural density of Sinfonia BWV146, or the extreme penitentiality of Cantatas BWV199 and 82a, it is interesting that Bach remains one of the most widely popular of all classical composers. Facebook . The series features three renowned cantatas, Wachet auf, ruft uns die Stimme, BWV 140, Aus der Tiefen rufe ich, Herr, zu dir, BWV 131, and Nun komm der Heiden Heiland, BWV 61, followed by all six parts of Bach’s beloved Christmas Oratorio, BWV 248. Bach Cantata Project . The ⦠An aria for bass is the penultimate movement, and those strings are powerful and filled with anger. This set has all Bachâs church cantatas for which the music has been found. Would Geyersbach have stood up to this challenge? Thank you for reading! Bach. Bach a Passionate Life 2 BWV 78 Aria duetto is absurdly fast. The final chorale is harmonized, and features full choir and ensemble. The cantatas are the one part of Bachâs work that I still find inaccessible. The strings open with the chorale subject, while the oboes spin and turn to their accord. A ⦠Troubleshooting Tips . The list includes both extant cantatas and, as far as known, lost cantatas. John 1: 19-28, from the Foster Bible (1873) Bachâs cantata 132, Bereitet die Wege, bereitet die Bahn, (Prepare the way, prepare the road) was written in Weimar in 1715.The text is by Salomo Franck (1715, from his cantata libretti of Evangelisches Andachts-Opfer)), except the concluding sixth verse by Elisabeth Kreuziger (1524).The epistle is Philippians 4: 4-7, the gospel John 1: 19-28. As the ball rolls freely down, it hits each wooden panel and plays the notes of Bachâs Cantata 147, Jesu, Joy of Manâs Desiring. In a video showcasing the instrument, a wooden ball is placed at the start of the xylophone, which descends at a slight angle. Bach. This is a sortable list of the Bach cantatas, the cantatas of Johann Sebastian Bach. Emmanuel Music is a Boston-based ensemble of singers and instrumentalists founded in 1970 by Craig Smith to perform the complete sacred cantatas of J.S. I hope you all have a good day. Wszystko co chcielibyÅcie wiedzieÄ, o naszym kraju okiem mÅodego czÅowieka. This is prominent in the aria for tenor, which could be seen as a trio; the violin and bassoon parts are quite fun! In some reconstructions of the St. Mark Passion, BWV 247, this chorus concludes the first section. See more ideas about Bach, Sebastian bach, All video. The vocal line is certainly challenging, as if to demonstrate some kind of struggle. Oboes and strings weave around the choir, where the soprano contains the cantus while the other voices have their own challenges to overcome. Major Works . BWV 131, Aus der Tiefe rufe ich, Herr, zu dir BWV 132, Bereitet die Wege, bereitet die Bahn BWV 133, Ich freue mich in dir BWV 134, Ein Herz, das seinen Jesum lebend weiss BWV 134a, Die Zeit, die Tag und Jahre macht BWV 135, Ach Herr, mich armen Sünder BWV 136, Erforsche mich, Gott, und erfahre mein Herz BWV 137, Lobe den Herren, den mächtigen König der Ehren Vocalists: J.S. This cantata has no recitatives, which one might mistake for being a callback to his earlier works (BWV 150, 131, 106, for example). These are among the best-known of the popular movements from Bach's 200+ cantatas, each of which has about 4+ movements, making for well over 1000 individual movements... You have unknowingly asked a very had question to answer, but this hopefully gives you a good idea of how vast Bach's oeuvre is, even just his cantatas, and which ones are sort of more well-known than the rest. The cello section is wonderful, being on par with that from cantata 6. I'd like to discuss three more cantatas: BWV 177, BWV 78, and BWV 135. While it sounds difficult, at least it's consistently difficult. I can't wait to discuss cantata 51. The CDâs are in the order of holidays and Sundays of the church year. This is speculation on my end, but I'd assume he was introduced to the violin first as a young boy by his father, as part of being a musician in those days meant inspecting and repairing instruments. Bach is far from dull and lethargic; there is always movement, and always something to express happiness. You’ll enjoy the Washington Bach Consort as you’ve never heard them before, but you’ll also gain revelations and insights into the music itself coming from our two resident Bach scholars, Michael Marissen and Daniel R. Melamed. You can find out more about this project here. Subscribe to our YouTube Channel to receive notifications. Bachâs cantatas were an unimaginable achievement. Bach - 6 Favourite Cantatas (CD-1) - J. Rifkin - YouTube According to his son CPE Bach, he played with 'penetrating clarity.' Virtual Keyboard . Still, the moment we hear a major 6 chord in the middle of the final phrase is spectacular. Ruth Holton never gives a bad performance at all! In cantata 78, Jesu, der du Meine Seele we open with a massive, tragic fantastia which features a chromatic fugue in the middle. Thursday, September 24, 2020 at 8 p.m. on Facebook Sunday, September 27, 2020 at 5 p.m. on YouTube, Johann Sebastian Bach (1685–1750) Wachet auf, ruft uns die Stimme, BWV 140, Chorale Recitative Aria duetto Chorale Recitative Aria Duetto Chorale, Vocalists: Margot Rood* & Laura Choi-Stuart, sopranos; Sarah Davis Issaelkhoury & Kristen Dubenion-Smith, altos; Matthew Hill & Matthew Loyal Smith*, tenors; Jason Widney* & Jonathan Woody, basses, Instrumentalists: Andrew Fouts†, violino piccolo; Tatiana Chulochnikova & Marika Holmqvist, violins; Risa Browder, viola; John Moran, violoncello; Jessica Powell Eig, violone; Margaret Owens* & Geoffrey Burgess, oboes; Sarah Weiner, taille; Brad Tatum, horn; Anna Marsh, bassoon; Adam Pearl, organ, Thursday, October 22, 2020 at 8 p.m. on Facebook Sunday, October 25, 2020 at 5 p.m. on YouTube, Johann Sebastian Bach (1685–1750) Aus der Tiefen rufe ich, Herr, zu dir, BWV 131, Dictum [Chorus] Dictum with chorale [solo] Dictum [Chorus] Dictum with chorale [solo] Dictum [Chorus]. This is arguably the best known of Bachâs cantatas (fans of Cantata 140, Wachet auf might disagree, but it would certainly be a close contest).Certainly this cantata employs the most famous of all Lutheran chorales, âEin feste Burg ist unser Gottâ (A might fortress is our God), a chorale written by Luther himself. Johann Sebastian Bach (1685-1750) left us a wide collection of cantatas, mostly written for celebratory days of the liturgical calendar or other special celebrations. The cello is the solo instrument in the aria for alto; some say the music is uninspired, and I say otherwise. There are over 1000 music examples which can be heard by clicking the icons (see below). 140 (Wachet Auf) Bach's famous cantata was written in 1731 as music to be included in a church service - despite its simplicity, it's now one of Bach's most famous in the genre thanks to its inclusion of a well-known tune. The musical preamble before the choir enters is poignant, with the bass entering first while the soprano has the cantus. The Bach Cantatas Website (BCW) is a comprehensive site covering all aspects of J.S. The closing chorus features full ensemble and choir. Emmanuel Music continues to perform cycles of large-scale and chamber works by Bach, Handel, Mozart, Schubert, Brahms, Debussy, Haydn, Schoenberg, and Schumann, Medelssohn, Wolf, Weill under Artistic Director Ryan Turner. I'm a fan of Bach's choral works all year around - not just at Christmastime - as well as most all of his other works. two weeks I will own three complete Bach cantatas sets: 1. Emmanuel Music is a Boston-based ensemble of singers and instrumentalists founded in 1970 by Craig Smith to perform the complete sacred cantatas of J.S. I hear something lonesome and isolated; perhaps a single churchgoer in the building on an empty day, still praying. Nico van der Meel has a wonderful tone, as always. There is a channel on YouTube I visit frequently called the "Netherlands Bach Society" that has a large number of Bach performances in stunning audio and video quality. With an oboe da caccia, we hear something light and comforting as the soprano aria begins. All of Bach is a project of the Netherlands Bach Society. Both movements for tenor bring Knut Schoch back into our ears. Not all of Bachâs Cantatas were written for Sunday service. The series features three renowned cantatas, Wachet auf, ruft uns die Stimme, BWV 140, Aus der Tiefen rufe ich, Herr, zu dir, BWV 131, and Nun komm der Heiden Heiland, BWV 61, followed by all six parts of Bachâs beloved Christmas Oratorio, BWV 248. The final aria for bass is a fast dance for oboe which could be paired with the finale of 82 as being one of the best. The strings open with the chorale subject, while the oboes spin and turn to their accord. Cantata 135, Ach Herr, mich armen Sünder features a slow but wonderful fantasia, with oboes and flutes and strings while the bass contains the cantus, which is a rare move for Bach. The amazing singers are ⦠Andrew Fouts†, violin; Risa Browder, & Marika Holmqvist, violas; John Moran, violoncello; Jessica Powell Eig, violone; Geoffrey Burgess*, oboe; Anna Marsh, bassoon; Adam Pearl, organ, Thursday, November 19, 2020 at 8 p.m. on Facebook Sunday, November 22, 2020 at 5 p.m. on YouTube, Johann Sebastian Bach (1685–1750) Nun komm, der Heiden Heiland, BWV 61, Chorale Recitative Aria Dictum Aria Chorale, Amy Broadbent, soprano; Roger O. Isaacs, countertenor; Matthew Hill, tenor; Steven Combs, bass, Instrumentalists: Andrew Fouts† & Tatiana Chulochnikova, violins; Risa Browder & Scott McCormick, violas; John Moran, violoncello; Jessica Powell Eig, violone; Anna Marsh, bassoon; Adam Pearl, organ. The duet for alto and soprano is famous, fun, and well-known. The cantatas composed by Johann Sebastian Bach, known as Bach cantatas (German: Bachkantaten), are a body of work consisting of over 200 surviving independent works, and at least several dozen that are considered lost.As far as known, Bach's earliest cantatas date from 1707, the year he moved to Mühlhausen, although he may have begun composing them at his previous post in Arnstadt. Choral Midi Links . Choirs Worldwide . While he normally conducted from the organ or harpsichord each Sunday, it isn't out of place to imagine him leading the ensemble in the opening chorus of Ich Fur zu Dir, Herr Jesu Christ, which features a virtuoso solo violin part. The series features three renowned cantatas, Wachet auf, ruft uns die Stimme, BWV 140, Aus der Tiefen rufe ich, Herr, zu dir, BWV 131, and Nun komm der Heiden Heiland, BWV 61, followed by all six parts of Bachâs beloved Christmas Oratorio, BWV 248. He is believed to have composed at least 300 (a third or more have been lost). . The oboes hold long tones while a bassoon pairs with the continuo. In addition to being a fine keyboardist, Bach also played the violin. Welcome to a unique website devoted to Bach's Cantatas. At age 38, put ⦠The visual wizards at Fly On The Wall have been capturing outstanding musical performances, and this one is no exception. To support All of Bach and our musicians click here. Last night I was surfing YouTube for my cantata fix, and I found several interesting recordings of Wir eilen mit Schwachen. The Bloomington Bach Cantata Project brings together students, faculty, and ⦠Katelyn Aungst, soprano; Reginald Mobley, countertenor; Jacob Perry, Jr., tenor; Jonathan Woody, bass; Instrumentalists: I can appreciate the sound (generally of the most popular ones) in small chunks before it just blends into mush. This page follows that liturgical rhythm, posting on the day the cantata(s) for that day with a Spotify, Apple Music and Deezer playlist with those cantatas. 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